More cash for words!

Paul Hughes Memorial Writing Award

Where and When
The Department of English and Languages announces the Paul Hughes Memorial Writing Award, an annual creative writing competition open to all East Central University students. Any form of creative writing, including poetry, fiction, drama, and essay, is eligible for consideration. Submissions will be accepted in the English department, Horace Mann 301 or Horace Mann 317, until (Date TBA; some time in April?). Students may also email entries to mwalling@ecok.edu This deadline will be strictly enforced. Students may submit a maximum of five works. Cash prizes will be awarded for first, second and third place. Last year, the awards were $200, $100, and $50.

Paul Hughes
Born in Roff, Paul Hughes attended Ada High School and earned his B.A. with honors from East Central in 1936. At ECU, Hughes served as president of the senior class, editor of the campus newspaper, and captain of the debate team. At age 27, Hughes published his first novel, Retreat From Rostov, with Random House. He went on to publish 15 other books, including Challenge at Changsa (Macmillan), Jeff (John Day), and The Salsbury Story (Univ. of Arizona Press), and numerous short stories in magazines such as Collier's, Seventeen, Woman's Home Companion, Vogue, and Liberty. After a brief term as night editor of the Ada Evening News, Hughes began a long career with KTAR Radio and Television, becoming one of the most recognizable air personalities in Arizona. In 1971, he gave the ECU commencement address, and received the Distinguished Alumnus Award.

Submissions
Submitted manuscripts for the award should be neatly typed. Prose should be double-spaced. Poetry should be single-spaced except to separate stanzas. Each work should have a cover page listing the author's name, title of the work, classification (senior. . .), major, address, telephone number, and email address. Notification will be delivered to the email address. The author's name should not appear on the manuscript. Entries will not be returned.

On meandering

As I mentioned in class the other day, though, formlessness is not necessarily a problem in a personal essay. Meandering can work--as long as as the meandering is interesting.

So, what is interesting? I think it is a good idea to try to anticipate the hard questions your readers may want to ask you about your subject. If your meandering takes you away from answering hard questions, then it may be counterproductive. Generally, it's better to meander towards risk, towards danger, and towards revelation, rather than to wander away from them. And once you've meandered into interesting terrain, details are crucial.

In any case, the more you write and the more you share your writing with others, the better sense you'll have of what your readers will find interesting.

IMAGE SOURCE:
www.markdixon.ca/images/meander_1_med_rgb.jpg

On starting with a bang

The longer you make the reader wait for unique, intriguing detail that makes your essay pop off the page, the greater risk that your readers will never make it in that far. Readers who are thumbing through magazines may not read your second sentence if they are not hooked by your first one. And they may not read your second paragraph, if they are not hooked by your first.

You don’t have to reveal all of your secrets at the outset, but I recommend that early on you give readers some explicit clues about what’s ahead.



IMAGE SOURCE:
http://www.hgsc.bcm.tmc.edu/downloads/graphics/Bang.jpg

On revealing sensitive details from your personal life

I can’t really tell you what to do as far as holding back on sensitive aspects of your personal life in the essay you turn in for this course. I suspect the more sensitive the details are, the more likely it is that they will capture the interest of your readers. Don’t reveal something you’ll regret later on, though. The grade you get will be on how effective the writing is, not how much you reveal about your personal life.

If you want to write a personal essay that you don’t want to share with the other members of the class, though, we can probably work something out (like, maybe they’ll only see parts of it).

IMAGE SOURCE:
http://www.timboucher.com/journal/wp-content/uploads/2007/12/20060824-confessional.jpg

Please Read This

Please read this funny and knowledgeable essay on the essay, written by one of my favorite authors: British literary critic Terry Eagleton. I just came across it myself.

Essayists Must Tell the Truth

I've been thinking about the question Scott raised in our last class about the status of truth with regard to essay-writing and I thought I might share with you all the following note on the subject, which appears in the Fifth College Edition of Robert Atwan's The Best American Essays (Boston: Houghton, 2008). The words are those of Geoffrey Wolff [that's Wolff in the photo at right]:

"I work by Hemingway's precept that a writer's root charge is to distinguish what you really felt in the moment from the false sentiment of what you now believe you should have felt. The personal essay, autobiography, has been a red flag to professional classifiers and epistemologists; a critical industry has flourished for the refinement of generic protocols (many in French, with as much fine print as an installment purchase agreement), subcontracted principally to skeptics. In the judgment of Northrop Frye, for instance, a piece of work is shelved with autobiography or with fiction according to whether the librarian choose to believe it.


"Well. I've written one, and I've written the other, and I'm here to testify that the issue is at once weightier and simpler: a personal essayist means to tell the truth. The contract between a personal essayist and a reader is absolute, an agreement about intention. Because memory is fallible, and point of view by its nature biased, the personal essayist will tell a slant tale, willy-nilly. But not be design." (29)


I don't mean for this to be a definitive statement on the subject. I do like the advice given by Hemingway, though.

Ordinary thoughts, ordinary times

Here as promised are the audio clips of G. K. Chesterton. He was a large man (he makes an indirect joke about this in the clip in which he addresses the Canadian literary society).